Predictability and familiarity are both dangerous during an acting audition. It's a common sight in New York to see a hopeful actor poring over a script attempting to memorize each and every line therein. The best way to improve that actor's upcoming acting audition would be to take those pages away.
Why? Because a great performance of lines in an acting audition do not come from memorizing and placing undue importance on the words themselves. What truly matters is the meaning and emotion that you give to the character. The best way to improve your acting audition is to read through your lines, use them as a guide, and go from there. They are only small windows into the real character, that character's emotional life, their deep needs, the way they approach conflict, what makes them tick.
Figure out all of that, and then decide how that character is going to influence story. Whether you interpret the story correctly is not what means the most. The only thing matters that your delivery of the character. Are you spirited? Sincere? Is it original and unanticipated? Do you take your story and give it all of your effort and passion? It's far better to be wrong about how the story turns out, than to be boring.
Knowing the lines isn't enough during an acting audition; being able to interpret these lines in a way that uncovers the true desires and hidden soul of the character is the ultimate goal. The resulting performance and delivery could very well exceed even the expectations of the director. That's how to strengthen an acting audition.
How can this be accomplished? The mind is a terrible thing to waste. Don't waste your mind and time concentrating too much on lines. At an audition, the panel will not be focusing primarily on your ability to memorize the script. As an actor, the best way to improve acting auditions is to spend your mental energy imagining the circumstances the character is in and the emotional truth that is BEHIND the words of dialogue. Of course, the sides may only be one scene or a few pages but, don't let that be a hindrance.
Make some assumptions or make something up. Become the writer and create an entire set of circumstances and character traits that seem like they could relate to the clues you have found in the dialogue. Focus on creating a real person and not on getting everything exactly right.
Use your mind and energy to develop a life and spirit for the character you are called upon to portray. Now, that's an acting audition.
The Maggie Flaningan studio trains serious actors dedicated to their craft. Find out more about acting classes at the studio website about two year acting programs.
Monday, May 5, 2014
Wednesday, April 2, 2014
characteristics present in a great actor and real artist
The death of the great Philip Seymour Hoffman was doubtless a great blow to, not only his friends and family, but also to other actors who both knew and respected him and his work. His death was certainly an emotional one for many. There has been palpable grief present since the event. When an actor dreams of being a real artist, it is necessary to find mentors who will encourage growth and creativity and the ultimate improvement in both skill as well as character development. Philip Seymour Hoffman was both an actor and artist. Unfortunately, our current culture tends to label the art of an actor based on the money he has earned and the fame he has acquired. With the number of individuals trying to act, the term "actor" has lost a good deal of its meaning. Those individuals who trivialize the craft are not real artists; Hoffman would always say that, for those who know what true acting requires, there is nothing harder.
I truly believe in the actor as artist concept. Students who come to our studio striving to transform themselves from simple actors to true artists are often pleased to find that this is a quest that we find most noble, a quest that we enthusiastically help our students to follow and achieve. When I look at a new class for the first time, I gaze out at the students who have all come here with a desire to become the best actor they can be. Many of the students who come through our doors have dreamed since childhood of an acting career. While many of these students come to us with the desire to become a great actor, few are intent on transforming themselves into a real artist at first. Only through realizing the hard work that goes into acting and real creativity will most student actors understand that their goal should not merely be to become the best actor they can be, but the best artist as well.
A committed artist is driven by their craft: constantly striving to create and aware of how much they require improvement; they have plenty of skill but they are not satisfied with what they already know, they constantly wish to improve themselves, they have empathy for others and for the characters they create, and they don't allow distractions or ego to get in the way of their progress; it's always about the new project and never about their own personal desires; they are blunt, honest, and don't beat around the bush, they are ready to risk everything and admit to their mistakes, they are ready to improve all the time, they understand that the learning process is never complete, that they can always learn more and become a better artist than they were before. This is what truly makes an actor an artist.
Philip Seymour Hoffman was undoubtedly a true artist. The loss of his acting talent and dynamic persona is truly a blow that has left quite a mark. I am thoroughly energized by the thought of my students who come here on a noble quest to pursue their dreams and become both great actors and artists. I have a heart-felt admiration for those persons who pour everything they have into their craft, knowing that their creative process always has room for improvement. Phil and his work will always be honored by me and the acting community; we are truly honored to be able to call him a mentor. His work has doubtless been an important asset to our craft.
For more information on Meisner Acting Studio new york ny , Top Acting Coach new york ny and Acting School new york ny you can contact us at: Maggie Flanigan Studio Inc 153 W 27th St #803 New York, NY 10001 (917) 606-0982
I truly believe in the actor as artist concept. Students who come to our studio striving to transform themselves from simple actors to true artists are often pleased to find that this is a quest that we find most noble, a quest that we enthusiastically help our students to follow and achieve. When I look at a new class for the first time, I gaze out at the students who have all come here with a desire to become the best actor they can be. Many of the students who come through our doors have dreamed since childhood of an acting career. While many of these students come to us with the desire to become a great actor, few are intent on transforming themselves into a real artist at first. Only through realizing the hard work that goes into acting and real creativity will most student actors understand that their goal should not merely be to become the best actor they can be, but the best artist as well.
A committed artist is driven by their craft: constantly striving to create and aware of how much they require improvement; they have plenty of skill but they are not satisfied with what they already know, they constantly wish to improve themselves, they have empathy for others and for the characters they create, and they don't allow distractions or ego to get in the way of their progress; it's always about the new project and never about their own personal desires; they are blunt, honest, and don't beat around the bush, they are ready to risk everything and admit to their mistakes, they are ready to improve all the time, they understand that the learning process is never complete, that they can always learn more and become a better artist than they were before. This is what truly makes an actor an artist.
Philip Seymour Hoffman was undoubtedly a true artist. The loss of his acting talent and dynamic persona is truly a blow that has left quite a mark. I am thoroughly energized by the thought of my students who come here on a noble quest to pursue their dreams and become both great actors and artists. I have a heart-felt admiration for those persons who pour everything they have into their craft, knowing that their creative process always has room for improvement. Phil and his work will always be honored by me and the acting community; we are truly honored to be able to call him a mentor. His work has doubtless been an important asset to our craft.
For more information on Meisner Acting Studio new york ny , Top Acting Coach new york ny and Acting School new york ny you can contact us at: Maggie Flanigan Studio Inc 153 W 27th St #803 New York, NY 10001 (917) 606-0982
Friday, January 17, 2014
acting classes in nyc:
making connections that can last a lifetime
With the numerous acting classes in NYC that are available, selecting the right option can be intimidating. Attending classes for acting is always a big investment, one that can impact your current and future career. To ease the stress, each actor should have an idea of what to look for in a professional studio. Keep the following considerations in mind.
Before beginning your research, consider your personal needs; in other words, think about what it is you are looking to achieve through an acting class. Your first goal is to understand what needs your acting class should meet. For example, will the school offer both private instruction as well as group classes so that you can get the most out of your education? Above all, the acting studio should welcome each student into an atmosphere that allows them to feel secure and to open themselves up to all the new knowledge and skills they have to learn.
The frequency with which each student is encouraged and/or required to participate is another important item to contemplate when choosing a class for acting. Any serious actor will want to find acting classes in NYC that allow for ample practice time. The more frequent your practice, the more likely you are to develop those skills that you came to class to learn in the first place.
Networking is another important part of classes for acting. Choosing the proper school can help you to improve your skills, gain new ones, as well as meet other actors and leaders in your craft. Everyone will agree that knowing people in your industry is certainly important. As with any other area of employment, knowing others in your field can only help as your career progresses. The networking you do and friends and associates you make in acting class could really reap great benefits in the future.
When it comes to acting, you are never done learning. Whether you are an aspiring actor new to the city or you have been acting for years and are looking for a way to improve your skills, an acting class may be the perfect place for you. With these acting classes in NYC, many actors have been able to reach their goals and achieve the career of their dreams. With the proper research and perseverance, your acting classes in NYC could yield wonderful results.
For more information on Film Acting new york ny , Acting Class new york ny and Acting Classes Nyc new york ny you can contact us at: Maggie Flanigan Studio Inc 153 West 27th Street #803 New York, New York 10001
Before beginning your research, consider your personal needs; in other words, think about what it is you are looking to achieve through an acting class. Your first goal is to understand what needs your acting class should meet. For example, will the school offer both private instruction as well as group classes so that you can get the most out of your education? Above all, the acting studio should welcome each student into an atmosphere that allows them to feel secure and to open themselves up to all the new knowledge and skills they have to learn.
The frequency with which each student is encouraged and/or required to participate is another important item to contemplate when choosing a class for acting. Any serious actor will want to find acting classes in NYC that allow for ample practice time. The more frequent your practice, the more likely you are to develop those skills that you came to class to learn in the first place.
Networking is another important part of classes for acting. Choosing the proper school can help you to improve your skills, gain new ones, as well as meet other actors and leaders in your craft. Everyone will agree that knowing people in your industry is certainly important. As with any other area of employment, knowing others in your field can only help as your career progresses. The networking you do and friends and associates you make in acting class could really reap great benefits in the future.
When it comes to acting, you are never done learning. Whether you are an aspiring actor new to the city or you have been acting for years and are looking for a way to improve your skills, an acting class may be the perfect place for you. With these acting classes in NYC, many actors have been able to reach their goals and achieve the career of their dreams. With the proper research and perseverance, your acting classes in NYC could yield wonderful results.
For more information on Film Acting new york ny , Acting Class new york ny and Acting Classes Nyc new york ny you can contact us at: Maggie Flanigan Studio Inc 153 West 27th Street #803 New York, New York 10001
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